If you happen to remember the first quilt I ever made (also a birthday present for my mom!), this year I made her a pillow to go with it! I really like how it turned out. I also got her to open it while she was on the phone with me and the kids, and that was fun!

I’ve recently gotten addicted to sewing Pearl half-yard a-line kid skirts (full tutorial here) and when Ellen Luckett Baker was kind enough to send me some beautiful FQs from her Stamped line with Kokka, the gorgeous purple ladybugs and gingko leaves told me they wanted to be a skirt too. I joined the two FQs with French seams on both short edges and then made a hem and waistband the same way as with a single-fabric half-yard. She LOVES her two-sided skirt! It’s really awesome on. She’ll start out with the ladybugs on the front and then switch to gingkos later in the day. Why not?? Anyway, I highly recommend the 2-FQ approach to kids’ skirt-making! A huge thank-you to Ellen – I love Stamped, her beautiful new collection Folk Modern, 1-2-3 Sew, and now 1-2-3 Quilt!

So now, speaking of sewing awesome things that are purple, I have a yard and a half of Pearl Bracelet in Grape Jelly pre-washing for Pearl’s special fifth birthday dress! I can’t believe she’s going to be five – she is very, very excited and I picked up the big giant 5 candle today for her chocolate cake. I’m also making myself a new Barcelona skirt in Pearl Bracelet Pond (love that color – this will be the seventh Barcelona I’ve sewn!) so we will be sort of matchy. (PS – if you want a cool full-line PB color chart PDF courtesy of Ms. Lizzy House, you can download it here!)

I’ll be writing more about this on the PMQG blog soon, but as guild historian this year I got to help organize our first Documentation Day! Bill Volckening, who has a fabulous quilt collection and appraises quilts professionally as well as working with the wonderful Oregon Quilt Project, photographed each quilt and worked with us to carefully document each one for the Quilt Index. It was a very cool afternoon! We documented ten quilts, including PMQG’s collective Graphic which I love so much, and my Modern Crosses. That made me very happy. We’re planning our second Documentation Day, so stay tuned over there for lots of details coming soon!

I was invited to try out their fabulous Quilt Design Tool recently, which has been super fun. I have never used any kind of design software before – I always sketch my ideas on paper, then use graph paper to formalize things and get my numbers organized, then start cutting and sewing. The QDT was a very cool departure from my usual analog approach! You can create simple or intricate shapes, maneuver them around very easily, switch colors or fabrics with a single click, set a block, and transform your initial idea into an overall quilt design with tons of flexibility. The program even adds borders and gives fabric requirements, and you can export the design onto your desktop to look at as a whole and get a sense of how it will live as a quilt. At only $10 a month, it’s a wonderful resource and I think it really transforms the design process into something special.

When I was at Quiltcon, I got a beautiful charm pack of Lizzy House’s 26 new Pearl Bracelet colors from the Andover booth, and immediately knew I wanted to make a quilt for my almost-five-year-old daughter, Pearl. She loves rainbows and color, and I pictured a bright, happy design that would grow up with her. The charm squares were such a cool gift, and I wanted to use every bit of the precious 5″ squares, rather than cut them up into secondary shapes, as pops of color on a twin-size quilt she could use on her bed.

So once I had a chance to work with the Quilt Design Tool, I thought I’d try some different ideas out and see what worked. My first thought was a basic 12″ two-tier log cabin block (I love log cabin!) with a larger, asymmetrical center charm square (that I filled in with yellow Pearl Bracelet from their fabric archives). I used the workspace software to make a simple block layout, then tiled that into a 6 x 4 grid and rotated some of the 24 blocks to create movement throughout the design.

I stitched up three real blocks using these dimensions, mixed in a little off-white in the logs for color interest, then set them out in that rotation to see how I liked it. And it just didn’t do a whole lot! I liked it but I didn’t love it, and I felt like this cool chance to use a design tool, just for quilting, deserved more. So – back to the drawing board, and opening a new workspace.

I kept thinking of roundness, and somehow arranging an array of the small charm squares to create that feeling of a bracelet of color – a beautiful, simple circular design instead of a regular old grid. I could shape the 12″ blocks into a tight, tall oval with some major maneuvering, but they were just too big to make a circle on a twin quilt.

So a couple of math problems later, I reduced my block size and widened my quilt a little bit, and came up with a 10″ one-tier block that offered a lot more flexibility – and even could be coaxed into a symmetrical 16-block circle!

We narrowed the 26 colors of Pearl Bracelet down to 16, and arranged them in a joyful ROYGBIV circle on the dining room floor. Pearl loved this part!

I chain-pieced, pressed, and squared up the blocks. I love how quilt blocks look in a neat stack.

Here’s how the top mini-row of three will look in the bracelet. It’s very similar to my first idea, but the fact that it’s the top section of a circle instead of the heart of a grid just really gives it a lot more life, I think.

I used the Threadbias design tool to fill in the other parts of the quilt (inside and outside of the circle), and get the measurements for cutting and piecing each section into a whole. This was really handy and made the math and other arrangements very quick.

With such a generous circle design, a huge section of the center was a completely blank slate. I love improvisational piecing and writing messages in my quilts (like the “good night” quilt back I worked on for the PMQG Quiltcon charity quilt) so I pieced a subtle, large-scale “pearl” in white-on-white Pearl Bracelet, against Michael Miller Bright White Cotton Couture. For reference, this section measures 51″ wide by 30″ tall.

Pearl loves that her name is in the quilt. She is just learning to read and it made her super happy to see it there.

I had hoped to have the top all done for today, but here’s where I’m at:

so I’ll be sharing the finished Rainbow Charm Bracelet top at our April 18 PMQG meeting, and I’m super excited to hand it off to Nancy to quilt! Speaking of PMQG, Threadbias has generously offered a prize of a free month of the Quilt Design Tool (!) to a lucky winner… and instead of giving it away through comments here, we’ll draw a name at the meeting! They’re also offering a nice bonus to PMQG members, which you’ll hear more about then too.

Don’t miss the rest of the blog tour – there are some wonderful reviews and quilts up already, and Jen will be reviewing the QDT for Sew, Mama, Sew tomorrow!

Monday, March 25 – Freshly Pieced
Tuesday, March 26 – Don’t Call Me Betsy
Wednesday, March 27 – Generation Q Magazine
Thursday, March 28 – The Sometimes Crafter
Friday, March 29 – Diary of a Quilter
Monday, April 1 – Swim, Bike, Quilt
Tuesday, April 2 – Fresh Lemons Quilts
Wednesday, April 3 – West Coast Crafty
+ Portland Modern Quilt Guild (me!)
Thursday, April 4 – Sew, Mama, Sew!
Friday, April 5 – Alison Glass
Saturday, April 6 – Pink Castle Fabrics
Sunday, April 7 – Ellison Lane Quilts

Thank you to Andover for the gift of the Pearl Bracelet charm pack and to Threadbias for the chance to review the Quilt Design Tool! (I bought my Bright White Cotton Couture and the additional white Pearl Bracelet at Fabric Depot here in Portland.) If you’re interested in more detail on my cutting, chain-piecing, and row assembly methods, you can check out my book, Modern Log Cabin Quilting. Thanks, and happy Wednesday!

In the meantime, here are some photos of pretty things that are making me happy this week… I finished my hand-quilting project from Anna Maria Horner‘s lovely class, a pillow for Pearl! I’m not drawn to purple that much in my sewing or crafts but I thought her gorgeous fabric from Field Study was a dream to hand-stitch with, and Pearl LOVES it, so I am very happy.

I got to visit Oliver and Madeleine in their natural habitat at the Woolen Mill Store after they got back from their trip to Sew Expo. Sounds like people shopping in the Pendleton booth liked them a lot, which made me happy!

I picked up these super gorgeous Pendleton wool swatches from the WMS too. I can’t wait to go back and buy some yardage soon – they are having a sale in March so you should head over there too. So hard to choose which one (ok, ones)…

And this morning I got to have coffee with Diane downtown, which was so great. It has been way too long and it was such a treat to get to hang out (and get a look at her beautiful upcoming book!). Afterwards we walked over to the magnificent Button Emporium and I fell in love with these ribbons so of course they all had to come home with me. We are lucky to have such awesome shops here in Portland!

So, stay tuned for a Quiltcon post (a mere two or three weeks after the event, hopefully when this dumb sinus thing has left me alone finally). I also plan to write up my tips and tricks for sewing the incomparable Barcelona skirt with lots of photos, if anyone else is interested. I have sewed five of them, have fabric pre-washed for three more, and am wearing one right now actually, so I’m a huge fan! Along the way, I figured out a few little things for sewing it that make me love it even more and I’m excited to share those.

I got to interview some of my fabric industry and sewing heroes for this article – thanks to Mariko of Super Eggplant, Marie of Cool Cottons, Cynthia of Fabricworm, Patricia of Okan Arts, Kim of True Up, and Naomi of Patchwork Quilt Tsushin for their contributions.

I also got to profile two amazing fabric designers, Rashida Coleman-Hale and Melody Miller.

Rashida’s new Tsuru line with Cloud 9 and Melody’s Ruby Star collections for Kokka are both spectacular. They are both American, but their work is gorgeously inspired by Japanese design and culture, and (I think) perfectly reflects what Kim Kight calls the “inventive, cute, oddball and beautiful” qualities of Japanese fabric.

And Stitch excerpted and shared my Block Pocket Apron project from Modern Log Cabin Quilting – plus I got to re-make the pocket using three different combinations of Japanese prints to put a new spin on things! Thank you to Rashida for sending me prints from Tsuru, Fabricworm for sending me Kei and Kokka, and Cool Cottons for helping me with the Echino. I loved working with these fabrics and I hope it inspires lots of small-scale projects like these little pockets. A little goes a long way with these gorgeous prints.

Speaking of, I had a little dream project in mind for Quiltcon and was so happy to pull it off this week. I needed a neat little bag to hold my MLCQ book postcards, PMQG business cards, and the new moo cards I ordered (yay!) while I’m at the convention. I knew I wanted to use Melody’s Viewmaster cotton/linen print from Ruby Star Rising, and Rashida’s aqua Tsuru prints were the perfect complement. I found a vintage Coats and Clark zipper in my stash (“Bermuda Sea” blue) to go with it. I signed up for Kristin Link’s free Craftsy class on zip bags and totes, and used her stellar instructions. Her blog post on alternate sizes was also very inspiring. (And check out Amber’s cute version with typewriters!) After a little math to adjust the finished size upwards, I had this pretty little bag all stitched up!

I am so happy with it!! I wrote about my size adjustments on my Craftsy project page if you’re interested, and added a D ring (as Kristin suggested on her blog) to the tab loop. My friend AnnMarie Cowley of PMQG made the other loop with the Denyse Schmidt dots for another pouch she gave me, but I borrowed it for this one – I love it! Makes it a perfect little clutch purse.

And Rashida’s cranes make me happy every time I see them! I have to be honest, I’ve had this Viewmaster print for ages (along with a few others of Melody’s – I love her prints) and have hesitated to cut into it, thinking it was too precious. This little project was the perfect way to use both of these treasures. Now every time I reach for a card at Quiltcon, or want to tuck in someone else’s card to keep it handy, I will enjoy these pretty prints.

Speaking of Quiltcon, I wanted to mention that I’m on a panel on Friday at 2:00 on writing for magazines and would love to say hello if you can come to that! Latifah Saafir is moderating, the other panelists are fantastic magazine editors and publishers, and I think it will be a great hour. Thank you to the Modern Quilt Guild for including me! I fly to Austin in a week (!!!) and I am so excited. See you then!

1. I’m a Capricorn (the photo of me was taken by my lovely friend Nancy right after we toured beautiful Heath Ceramics on my birthday a couple weeks ago!) but really never liked it, it seemed like a boring and chilly astrological sign. However, now that I’m in my thirties, I’m starting to get right with it and embracing the parts of life as an earth sign that do resonate. I love my home, and I am definitely a bit of a workaholic when it comes to writing and sewing and crafting. Also, I love my Enid Collins zodiac bag (see #5)…

2. My husband Andrew and I got to be in a Bright Eyes video our friend Cat Solen directed a few years ago, which was super fun! I got to make out with Andrew, share a toast with Evan Rachel Wood and Terence Stamp (who were both very nice), and hand my Bloody Mary to the sweet guy in headphones sitting across the aisle from us. I love Bright Eyes, and Cat’s animation and design are beautiful, so being an extra for her was completely awesome all the way around.

3. After nearly fifteen years of trying, I have to admit that I’m a pretty crummy knitter. I can make rectangles and triangles, and not very fast ones at that. Give me a sewing machine or a needle and thread and I’m much happier!

4. My two favorite places in the world (besides my house in Southeast Portland) are Mt. Hood here in Oregon, and San Francisco.

5. I love mid-century and vintage clothes, furniture, and fabric, and my favorite designers are Enid Collins (my two favorite handbags are below), Vera Neumann, Lilly Pulitzer, Maija Isola (of Marimekko), and Tammis Keefe. As seen above, I wear a fabric headband or a scarf in my hair and a vintage cardigan just about every day. 80s revival, skinny jeans, and neon kind of scare me fashion-wise, so I’m not very on-trend (though I am really excited for the 80s dance party!).

I hope to say hello at Quiltcon! I am westcoastcrafty on instagram and infrequently on twitter. I’m taking Anna Maria Horner’s Every Last Stitch class Thursday afternoon and Lotta Jansdotter’s Textile Printing class on Friday morning. I’m also on a panel on writing for magazines on Friday at 1:00 2:00, right before Kathy Miller lectures on Tammis Keefe… my dream topic! Yes!

Local Quilt Shop Day is January 24 and there are some prizes and other fun things going on if you visit your favorite independent fabric shop. Thursday is a school day for my kids (you may notice a pattern here?) so hopefully I will be over at my dear Cool Cottons finding some new favorites, and chatting with Marie and Linda! Cool Cottons is a beautifully curated shop that’s nearly all patterned quilting cottons, arranged by color in the most inviting and fun way, with some marvelous Japanese fabrics, shot cottons, solids, and other treasures mixed in. Post update! Michelle reminded me in her super comment just now that Cool Cottons offers an amazing punch card, and as she put it, “The day mine filled up for the first time felt like Christmas!” Here is my current one, I’m getting closer…

In the meantime, I thought I would post some of my favorite fabrics I’ve found there over the years. This stack of marvelous Lotta Jansdotter prints has turned into lots of things I like, to say the least.

I got nearly all these solids (a few from home, but most on the lovely solids stairwell at Cool Cottons) for my Denyse Schmidt class #2 (2011).

And these prints and solids for my Denyse Schmidt class #3 (2012). Marie is a color magician and greens are her personal favorite, so you can imagine how fun it is to trail her around the shop when you’re looking for good things in that spectrum.

Here are some of my blocks I made in class with those greens.

Marie also offered to host some of our Quilts for Quake Survivors bees in 2011 and those were wonderful, amazing craft nights! She even gave us a whole bunch of their blocks of the month to turn into the sweetest charity quilts. So awesome.

And I haven’t had time to post about this here yet, but look for it soon… neatly folding my vast amounts of zillions of fabrics around comic book backing cardboards has changed my life. I did a little demo at our November PMQG meeting, based on this great tutorial from Cut To Pieces (with a few of my own variations). Anyway, Excalibur Comics and their stacks of 100 acid-free cardboards are right across the street from Cool Cottons so, car traffic on Hawthorne permitting, this is the most awesome, convenient happy pairing pretty much ever in the world. Buy beautiful fabric on one side of the street, change your life with efficient, life-altering folding techniques on the other. (Then you can get coffee, pizza, or look at vintage. Yeah, Portland is pretty great.)

Of course there are many, many wonderful fabric stores in Portland – I also love and SUPER recommend Bolt*, Sew Po*, Sew Mama Sew*, the Woolen Mill Store*, Mill End, and Fabric Depot. But Cool Cottons is definitely my local (walking distance – I still can’t believe I can walk to a fabric store, even after five years!) quilting cottons shop, so that will be my Thursday LQSD destination for sure!

If you go:

Cool Cottons
2417 SE Hawthorne Blvd
Portland, Oregon 97214
503-232-0417

Local Quilt Shop Day – Thursday, January 24, 2013

*all Portland Modern Quilt Guild sponsors!

Kristin of Sew, Mama, Sew! graciously cut and gave away four bolts of a Kona gray for charity quilting at our November PMQG meeting, and that gift came in very handy for this project. I also pulled some yardage of serene, beautiful Michael Miller Cotton Couture in Aqua, and a Japanese elephant print I bought a FQ of last year seemed like it might find its way in, too.

I adore improvisational piecing and had a lot of fun making a LOVE “bumper sticker” quilt block for Michelle’s Design Camp bee last year. For this project, my idea was to design and stitch a quiet, comforting message for the child who sleeps under it, in an unfamiliar place, so he or she felt a bit more at home… and mix stars of some kind around my words. I chose the simplest little phrase, good night.

Anne offered to piece some stars, big and small, and ended up making 32 of the super easy, slightly wonky log cabin mini-blocks I used for my Starry Night pillow in Modern Log Cabin Quilting for her tiny “twinkling” yellow stars! She emailed me a photo while I was still on the east coast, and I was really excited!

And then, finally home from our Christmas trip and so ready to get started, cutting lots of strips for improv letter-piecing, and waiting and waiting for my trusty iron to heat up… I noticed something. Surprise! My iron had a gnarly injury on its side and was stone-cold and broken. My friend Mary lent me hers – but I couldn’t get it for a couple of hours. So with precious childcare time ticking, my first two un-pressed letters, “go,” were a wrinkly, puffy mish-mash that should clearly illustrate to anyone why ironing is way, way important in our craft. I can’t believe I’m posting this horrible photo, but there you go. Wow, was I happy to get the borrowed iron later that night and press these guys!

So, using simple strips and improv piecing (and a working iron), I stitched up g-o-o-d and n-i-g-h-t and joined them together to form a simple heart of the back to pass along for Anne to work her star magic on. I truly loved this process – meditative and simple and intuitive. No pattern, no tutorial to write. Just good night. On an impulse I fussy-cut a little elephant in the same width as the body of my “i” and dotted it with that. It’s one perfect elephant and one little section of another one floating above it peeking down, reminding me of a mother watching over her child. My children loved the elephants. They both gave the tiny little dot over the i a kiss, and I hope that some of that warmth stays in that quilt when it covers another little one.

The next morning, along with last-second packing for our San Francisco trip, I snapped some quick photos of my little good night block. I loved how the reflection of the blocks’ back – full of seams and stitching – read so clearly in the mirror. Kind of cool!

Then we zipped over to meet Anne for a coffee, handed the blocks and some last bits of fabric to her, and headed out for our trip! Imagine my happiness when she sent me a preview picture of her stars. So awesome!

And here is another snap of the back with extra gray sashing, right before she brought it to Nancy for its beautiful quilting (thank you, Nancy, for your unfailingly generous gifts!!). It’s coming to the PMQG meeting so we can all see it! Then, Petra and Anne will bind it, Michelle will label it, and we’ll ship it to Austin for Quiltcon.

I feel deeply drawn to charity craft projects, and as the mother of two young children, I am especially grateful to contribute to families in need. Quilts for Quake Survivors was a huge gift to be part of with Daniela, and donating to our own Bradley-Angle House through QfQ was a beautiful end to our project.

And I can’t wait to see our collaborative quilt at the PMQG meeting tonight!!! Room 205 at PNCA, 7 pm.

PS – Thank you, THANK YOU for the iron rec comments on my last post! I’m going with a Black & Decker from Fred Meyer for now. Unfortunately they’re currently out of the one I want (this one) but yay, Michelle lent me her back-up iron for this week!

I learned how to make bagels, stitched up some skirts for me and Pearl, did a lot of writing, did plenty of charity quilting, took another class with Denyse Schmidt, watched my cuddly baby turn into a big kid in a 3T (!) birthday shirt, and lost track of how many little tote bags and headbands I sewed. With a long East Coast trip on the horizon, my holiday crafting dreams dwindled to baking a bunch of un-photographed cookies, and hosting a party for Pearl and her friends to make their own awesome ornaments. (The Tammis Keefe/Winterkist Christmas tree skirt/poncho I was dreaming of will be a 2013 production… sigh.) On the non-crafty (semi-crafty?) side of things, I started a petition to ban BPA that more than 200,000 people signed (wish me luck with the FDA! It’s been a process), helped organize four quilt shows, got to shake hands with President Obama when he visited Portland, and went to Seattle, Astoria, all over Eastern Oregon, Ashland, Maryland, Washington, DC, Virginia, and North Carolina.

I hope to be over here a lot more often this year. I miss keeping track of things I’m excited to be doing, recipes I loved the most, and most of all reading friends’ blogs. My old standard, Bloglines, crashed/changed around a lot and it looks like I am going to be rebuilding my blog reading list from scratch. The PMQG blogroll is a good start!

Wishing you a happy and lovely new year.

PS – If you’re on instagram I’m westcoastcrafty over there. Please say hi!

Nicole is a fabulous seamstress herself – she owned a handbag and accessory business called Queen Puff Puff for many years,

and now owns and teaches at Stitch Craft in Petaluma, California.

Nicole shares a wealth of insightful tips and details about the art and science of sewing in this super-handy book. From understanding your sewing machine and serger to making perfect buttonholes, and everything in between, Nicole has you covered.

Her special sections on types of fabric and notions are especially helpful. I snapped photos of pages that I thought modern quilters would especially appreciate, but there are tons of other sections that demystify every element of garment sewing, patterns and alterations, and design. She explains sewing techniques clearly, adds tips and suggestions throughout, and shares great resources for shops, books, and magazines to explore.

You can win a copy of this fabulous book at our holiday party this Thursday! And if you want to pick up an extra copy, I spotted it at the downtown Powell’s this afternoon (aisle 510 in the Orange Room!).

Good luck, and see you Thursday!

If you contribute $10 to the cause, you are automatically entered to win this package of prizes. I’m so thankful to Stitch and Pendleton Woolen Mills for generously adding their contributions to make it really special!

One donor will win:
• a signed copy of Modern Log Cabin Quilting
• the new Winter issue of Stitch, with a nice feature on wool sewing, donated by Stitch, and
• a brand-new set of 8 wool fat quarters, and a baby quilt kit (which includes 2 FQs and 1 full yard of wool), donated by Pendleton Woolen Mills.

If a friend or a blog reader wins I’ll add an extra prize, too!

This blog entry from Pendleton shares more about what makes this winter issue of Stitch so special – I’m so proud to have my feature article on the history of wool in America included alongside some amazing sewing projects, including Michelle‘s midcentury-inspired quilt and Daniela‘s Northwest Modern laptop case!

You can find out much more about Action Kivu and donate here.